A passion for food + fashion

Posts Tagged ‘Jude Law’

Sipping Pretty at the SAG Awards

In Drink, Fashion, Film, Media on January 30, 2011 at 8:40 am

It’s been years since I’ve been to an awards show—the last time was covering the Oscars from the red carpet back in 2004, which I have to say was pretty damn exciting. Especially the part where Jude Law and I locked eyes and he said, “Dunhill,” when I asked who made his drop dead gorgeous navy tux. I nearly fell over. This afternoon, I’ll be attending the SAG Awards and I can’t wait to see what everyone is wearing. Yours truly is playing it safe and going short with a charcoal silk drape dress from Lanvin and palest pink 4-inch Louboutins and blood red nails. Best of all, I know what I’ll be drinking! One of my very, very favorites—Taittinger Champagne will be pouring at the event and I am so honored to be their guest. And Suzanne Goin of Lucques/AOC/Tavern is cooking. So excited!!!!

P.S. Nosing around on the SAG auction site (proceeds benefit various children’s charities), there’s a fabby 6L bottle of Taittinger Le Brut Français up for sale that will be signed by actors on the red carpet this afternoon. Who wants to go in on it with me?!

Friday Follies: The Fashionable Mr. Ripley

In Fashion, Film on January 30, 2009 at 7:57 am

Friday Follies [n., pl.] postings on Fridays about fashion and food in film from guest bloggers with impeccable taste.

ripley

As a 26-year-old girl (who is happily engaged), I have to say The Talented Mr. Ripley could have been just as breathtaking if it were a silent film—simply because Jude Law‘s look completely takes over the screen. In other words: He’s flammable in this movie. Even golden goddess Gwyneth Paltrow is overshadowed by his wardrobe and beauty. Still, Paltrow doesn’t have the advantage of playing opposite a frumpy nerd like Law’s character does, which only helps his fashionable cause. 

The film earned an Academy Award nomination for best costume design in 1999 for its flawless wardrobe circa the late 1950s, all of which looked deliberate, natural, subtle, easy and yet fabulously exotic. With the use of wardrobe the audience really feels the Dickie Greenleaf vivre and luxurious life. But I assume the Oscar nod must have been rooted in the way Jude Law looked in a deep cobalt silk jacket, Persol aviators—which he wears while sipping Campari on his sailboat, Italian swim wear, and the fact that he never once wore socks. I appreciate that even though the film was referencing a period four decades prior, the costumes reflected the era without being over-the-top or too in your face. 

Bonus: One of the last scenes takes place in the Gucci store in Roma! 

 

Extra credit: See the cult-classic (French version) filmed in 1960, Plein Soleil, staring Alain Delon which rivals (if not beats) the American version in the wardrobe and substance department.—Lizzie Garrett, DESIGNwatcher

pleinsoleil

For the previous Friday Follies, click here.